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| author | Matthew Lemon <matt@matthewlemon.com> | 2022-07-28 20:11:05 +0100 |
|---|---|---|
| committer | Matthew Lemon <matt@matthewlemon.com> | 2022-07-28 20:11:05 +0100 |
| commit | 2d4bfa697d2ee133e05aec0dca7796ead10e11f0 (patch) | |
| tree | f7366971571465261057845e77422ebbe10fd728 /content | |
| parent | 8311e031cb4a378b4499f4c61aa43738effe32d7 (diff) | |
update
Diffstat (limited to 'content')
| -rw-r--r-- | content/stream/2022_07_28.md | 2 |
1 files changed, 1 insertions, 1 deletions
diff --git a/content/stream/2022_07_28.md b/content/stream/2022_07_28.md index 176b205..7cbc35b 100644 --- a/content/stream/2022_07_28.md +++ b/content/stream/2022_07_28.md @@ -5,4 +5,4 @@ draft: false tags: ['poetry'] --- -Found myself watching [Ted Hughes' Crow at Fifty: a Seminar](https://www.youtube.com/watch?v=WnJ2c8iJRBc) on YouTube. Crow is one collection of [many] by Hughes that I've yet to really dig into. It's at the opposite end of the spectrum to Moortown Diaries which I love, in terms of theme and style. That fact it draws its own seminar says it all. +Found myself watching [Ted Hughes' Crow at Fifty: a Seminar](https://www.youtube.com/watch?v=WnJ2c8iJRBc) on YouTube. Crow is one collection of [many] by Hughes that I've yet to really dig into. It's at the opposite end of the spectrum to Moortown Diaries which I love, in terms of theme and style. That fact it draws its own seminar says it all. After watching nearly all of it, I wonder about poetric interpration and about what academics will do or say or think to perpetuate a theory. |