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| author | Matthew Lemon <matt@matthewlemon.com> | 2022-07-28 17:02:26 +0100 |
|---|---|---|
| committer | Matthew Lemon <matt@matthewlemon.com> | 2022-07-28 17:02:26 +0100 |
| commit | 8311e031cb4a378b4499f4c61aa43738effe32d7 (patch) | |
| tree | 4283d2007d9c8f7984dd33b6655a83c8c4131d98 /content/stream/2022_07_28.md | |
| parent | dbe10696023d1b791ed4f6eeefb889f6f0d4e80c (diff) | |
update
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| -rw-r--r-- | content/stream/2022_07_28.md | 8 |
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diff --git a/content/stream/2022_07_28.md b/content/stream/2022_07_28.md new file mode 100644 index 0000000..176b205 --- /dev/null +++ b/content/stream/2022_07_28.md @@ -0,0 +1,8 @@ +--- +title: "2022_07_28" +date: 2022-07-28T16:56:28+01:00 +draft: false +tags: ['poetry'] +--- + +Found myself watching [Ted Hughes' Crow at Fifty: a Seminar](https://www.youtube.com/watch?v=WnJ2c8iJRBc) on YouTube. Crow is one collection of [many] by Hughes that I've yet to really dig into. It's at the opposite end of the spectrum to Moortown Diaries which I love, in terms of theme and style. That fact it draws its own seminar says it all. |