From 34cd4384a4debdf9009c27b55dd242254c28c558 Mon Sep 17 00:00:00 2001 From: Matthew Lemon Date: Thu, 28 Jul 2022 20:12:03 +0100 Subject: update --- content/stream/2022_07_28.md | 2 +- 1 file changed, 1 insertion(+), 1 deletion(-) (limited to 'content/stream/2022_07_28.md') diff --git a/content/stream/2022_07_28.md b/content/stream/2022_07_28.md index 7cbc35b..824274c 100644 --- a/content/stream/2022_07_28.md +++ b/content/stream/2022_07_28.md @@ -5,4 +5,4 @@ draft: false tags: ['poetry'] --- -Found myself watching [Ted Hughes' Crow at Fifty: a Seminar](https://www.youtube.com/watch?v=WnJ2c8iJRBc) on YouTube. Crow is one collection of [many] by Hughes that I've yet to really dig into. It's at the opposite end of the spectrum to Moortown Diaries which I love, in terms of theme and style. That fact it draws its own seminar says it all. After watching nearly all of it, I wonder about poetric interpration and about what academics will do or say or think to perpetuate a theory. +Found myself watching [Ted Hughes' Crow at Fifty: a Seminar](https://www.youtube.com/watch?v=WnJ2c8iJRBc) on YouTube. Crow is one collection of [many] by Hughes that I've yet to really dig into. It's at the opposite end of the spectrum to Moortown Diaries which I love, in terms of theme and style. That fact it draws its own seminar says it all. After watching nearly all of it, I wonder about poetric interpretion and about what academics will do or say or think to perpetuate a theory. -- cgit v1.2.3